EXITS AND ENTRANCE:
SHAMANIC AND WESTERN XSTRUCTIONS OF DEATH
These pages will shortly be updated!
CLICK HERE TO RETURN TO MAIN IMAGE
"When one of Plato's friends came to his deathbed and asked him to state his philosophy in one simple sentence, Plato is said to have replied: "Practice to die"
(p. 3 kalweit:1988)
"Let us go to the cornfield looking for the tracks of the spirits' feet in the warm ground. So then let us go walking ourselves along the path in search of significance, following the words of two discourses - enregistered like tracks on magnetic tapes."
(p.89. Harner,M.J.,:1973.)
Nodal points arise in the consciousness of the west that reveal an underground, a
stutter of activity that evolves in hesitant steps through the word and the sign. It is
always a struggle towards something that is felt, something never there and finally
ungraspable. At the edges of the intellectual and artistic worlds there is a new texture
emerging that hangs on the slim feelings and emotions of a few thinkers and explorers. But
the signs that are projected into the void by Heidegger, Derrida and others, are like
tapes rewinding in a closed room. In the hollow room of this pre-millennium space we hear
the tapes winding backwards and we know there is meaning there but still it is only the
surface movement, the technical scrubbing up, or clinical preparation for something else
that is to come. We hear the words of those who know but it sometimes seems that they
themselves do not truly understand or even are aware of what they are saying.
One gets this distinct feeling when reading Heidegger. We feel his inner movement from the
dead rhetoric of metaphysics to the poetic in an attempt to form a new style of argument
that carries us towards something that cannot be expressed. Obsessed by this movement
within his own language, something speaking and alive outside of his jurisdiction, he
toils arduously in the self-made labyrinth and produces, or climbs towards, words and
phrases which fall like seeds to the earth. What does he mean when he says, for example,
"In dread, as we say, one feels something uncanny. What is this something and this one? We are unable to say what gives one that uncanny feeling, one just feels it generally. All things and we with them, sink into a sort of indifference. But not in the sense that everything simply disappears; rather, in the very act of drawing away from us, everything turns towards us. The withdrawal of What - is - in-totality, which then crowds around us in dread, this is what depresses us. There is nothing to hold onto. The only thing that remains and overwhelms us whilst what-is slips away is this nothing. Dread reveals nothing"
(p. 366 M. Heidegger. 1949.)
We sense the movement ,almost in a visceral way, of Heideggers thought and the
movement is intensely opposed to the normative approach to death. In the above, dread
becomes something different. The dread that emerges in the face of death is an opening, an
entrance and not an exit. Yet if we ask what the entrance leads to, we are faced with a
question that cannot be asked. Heidegger refers to nothingness and once again we are faced
with the connotations that this word assumes in the conventional context. We cannot think
of entrance as the dualistic opposite to exit, entrance here must be rethought before we
can understand the significance of death and dread. "Entrance" longer holds a
clear meaning in terms of our ego-related search for surety and definiteness. One could
formulate a knowing academic response to the above but we have become inured and mired by
the words and the very mode of our expression ironically recaptures us in the
configurations of what there already is.
One of the great unheard themes waiting at the fringes of modern
consciousness is that of death. In it lies the exits and entrances to the new and the
final leave-taking of all consciousness that is dependant on the dualistic forms of action
and thought. If we are to hear and " hearken" to what is said by the
philosophers and thinkers then we have to adopt the mode of consciousness that infiltrates
our world as death.
The cultural deployment of death in the West positions this actuality in terms of the
predominant philosophy and primary thought or mood structure that is influenced by the
cultural milieu. The Western perspective is generally influenced by the metaphysical,
logocentric mode of thought. This mode of thought acts in terms of linear presuppositions
that positions death at the end of life as an exit into the unknown. The Western dualistic mode of thought, as Martin Heidegger and others have realised is
essentially a subject -object orientation with the subject taking a privileged position
over the object. The dichotomy between subject and object places the subject in the
definitive position in order to exert control over the object. The relationship is the
structural foundation of Western thought and is projected into its reality structure
The ego or self-subject is therefore the locus and centre of ratiocination in the west.
In other words, a system of thought exists which is prejudicial and dominating, with
all knowledge being referred for validation to the centre of the ethnocentric ego.
This is central to the understanding of Western culture and it is this aspect which distinguishes it from the East where the subject is displaced form the centre. The effect of this mode of thought as Heidegger realised, is to prejudice the construction of reality and in fact limit the perception of that reality to the boundaries of the human self and the subjective mood state. Nothing can exist or can be known outside of the self, all that is outside of the self is unknown and hence dark with potential . This potential is mostly seen in a negative light as the potential to destroy the security and the centring of all on the self. It flows form this that the fact of death is the greatest threat that can exist to the egocentric centre. It is against this background that death as an exit is to be understood in the Western context. Death becomes, in this strategy, something to be avoided and talked about as the enemy, as something to be overcome. Death is the agent and the intruder into life. This symbolism has greater depth than at first might seem apparent. (This will be explored later). Death becomes the most extreme position on the map of reality and in the failure of modern religious systems, the most feared point in existence.
The position of death in the reality structure of the West produces a reaction to death
which is generated as a cultural norm. The response to death is evasion and hence the
modern hedonistic celebration of life is in reality a mask which hides the terribly urgent
need to avoid death. The lack of religious and spiritual structures to maintain a balance
between and supernatural and natural contributes to the growth of the materialistic
imperative. This is seen by some as the greatest danger facing the technological world.
Heidegger voices this in his realisation that a new meditative mode of thought must be
achieved and at the same time he realises the deep legacy of metaphysics cannot simply be
discarded without losing much deemed to be valuable. In Heidegger and others we feel the
texture forming, almost crystalline in it subtlety, of a new mode of consciousness. This
mode of consciousness moves closer to the East where the symbolic and actual threat of
death is an entrance to reality and not an exit from it .
Martin Heidegger understood the meaning of this in his analysis of dread when he
referred to the nothingness. This nothingness is the non-being and the void of Buddhism.
It is also the experiential world of the shaman. This nothingness emerges as a
counter-strategy to the thinking of the West. The following quotation briefly outlines the
position of western thought as an egocentric and anthropocentric view of reality.
"The traditional philosophy, which since Plato has maintained that the source of light resides in the intellect, considers the thingness of a thing exclusively in relation to a subject. In the essentialist view, a thing is a substance (an unknown X) to which we attach perceptible properties, called accidents. For ex- ample, a piece of rock is hard, heavy, extended, formless, colour- ful. The thing is not these characteristics but rather that which underlies them. According to Heidegger, to look at things in this way is to turn them into objects of representation: "the image they offer to immediate sensible intuition, falls away. . . . Purposeful self assertion, with its designs, interposes before the intuitive image the project of the merely calculated product. . . .". The representative mode of thinking, which is also that of science, brings about the universal loss of things by flattening out their inner depth and self sufficiency, their standing-in-themselves. Things become commodities when they are perceived in their complete unhiddenness, i.e., as objects. Heidegger is not suggesting that the sciences are false. It is only that what they discover and 'prove' is not the thingness of a thing but one of the many possible cases which can respond to an already established view about things. As Barfeld says, a scientist discovers an objectified lifeless nature because that is precisely what he is looking for. And "if enough people go on long enough perceiving and thinking about the world as mechanism only, the macroscopic world will eventually become mechanism only."
(P.60. Avens.)
The movement away from representation in Western thought is also the move away from a
view of reality based solely on the human-centred. The trajectory is towards the periphery
of the known into the unknown. Death serves as a an actuality and a symbol for this
existential movement. The meaning of death for the West should be seen against the
backdrop of the multiple meanings that Shamanic understandings of death provides. Far from
being a fascination with the morbid, a study of death, I believe, is essential in order to
break the stasis of Western thought and civilisation.
The Shamanic view places us in a position to understand the movement in thought that
urgently needs an understanding of death. The most primordial mode of consciousness and
the first artistic utterances that we are aware of utter to us
from the past and in fact presages the future. The Hearkening that Heidegger speaks
of that must become the mode of understanding in the west is a listening in much he same
way that the Shaman listens to the voice of the guide. There is much that can be glibly
denied in this idea and it is easy on the grounds of pseudo-scientific valence to deride
and even scoff at these intention. But the understanding of death must move from its
positioning as an overcoming of death to the overcoming of the thought structures which
separate death from life It is The Shamanic view that concretely places death as the
entrance to life and not the exit. Here death is a passage a rite, a primal reality which
is to be understood as an integral part of the structure of life world.
Click HERE to return to central image
Click here to go to a list of sources.
Click here to go to Millennium Art Home Page.
Gary Smith. 1966.