THE ALIEN
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In order to understand the meaning that death has in shamanism, it is necessary to
understand the concept of the alien. Death is not the alien but is the crawling space, the
passage to the alien. In order to understand this we also need to understand the radical
separation between the logocentric and egocentric perspectives of the west and the thought
structure, or rather mood structure, of Shamanism.
The alien is that which is initiated by dread and death. It is nothing less than the opening up of reality; it is nothingness and the void. The alien is not some thing which we can grasp in its entirety, but it is rather the artistic production of death. The alien intrudes into the mundane as death and reveals itself in this dimension. The initiation and the transformation of the Shaman is realized through his encounter with death. What follows is a short discussion of the problematic of encountering the alien while still bound within the western dualistic mode of experience.
In order to understand the meaning of death in a non-dualistic sense, we have to engage
with a mode of thought different to our normal perceptions. This does not merely refer to
cultural shifts in meaning within a continuum of shared ethnocentric perceptions, but to
shifts in meaning that take us out of our world of referential understanding itself. Any
understanding of the Shamanic world requires an entrance into an alien configuration of
thought. If we, however well intentioned, presume that other modes of thought are linked
as extensions of our own mode of thought, we are bound either to misunderstand these other
modes of thought or to reduce them to the parameters that conform to our perceptions of
reality
The difference between ordinary, rational thought and Shamanic altered states of
consciousness, is reflected in the following:
"We have said that the Shaman lives in a psychic universe in which he, in addition to his ratio-analytical level of consciousness, has access to a trance-like and holistic form of awareness. Anyone who tries to understand the Shamanic experience of the world by the use of causal categories of space and time, is doomed to failure."
(p. 242/3 Kalweit: 1988 )
A brief insertion as to what is meant by the disparity between Western modes of thought
and Shamanism will suggest the fault lines that lie within Western thought. The crucial
difference between Shamanism and Western rational modes of thought are illustrated
directly by Kalweit. Here the description is of the Western mode of consciousness
attempting to understand the Shamanic world:
" He will construct a picture of the Shaman which is more a mirror image of himself. He is like someone who tries to record the "tones" of a painting on a tape recorder-all he captures on tape is the background noise of the recorder itself. What we are trying to say is that just as an audio recorder is not suitable for recording pictures, so the mechanistic and objectivistic methodology of Shamanic research cannot lead to a correct understanding of the nature of a sorcerer. When it comes to studying Shamans, our findings are no more than what we have fed into the research itself, namely our own concepts and philosophies, our contemporary projections. Hundreds of theses on Shamanism have been written, but their methodology has only explored the cultural skin of the Shaman-his external appearance. The essence of altered states of consciousness and the inner world of the Shaman are not touched upon.
(Pg. 242. Kalweit, H.,. 1988)
"The greater part of Shamanic research so far is meaningful only in that it tells us something about our own world view and about our entanglement in our cultural values. A critical assessment of the literature on Shamanism can help us analyse our own projections and ritualised expectations toward other cultures and develop a morphology of Western man's introspection. The attempts of most researchers to understand inner experience are confined either to recording physiological changes that occur during an altered state of consciousness or to reproducing the narratives of people who have experienced such states. Apart from the fact that Shamans have up to now not shown a great spirit of co-operation when it comes to taking physiological measurements or recording their psychic experiences, it must besaid that such methods are, in any case, incapable of recreating the cathartic atmosphere of a ceremony or the feeling of sacredness that pervades an altered state of consciousness-which are the essential characteristics of healing or initiation."
(Ibid.)
"What irritates Heidegger, however, is the emphasis on man: it is man who always demands reasons; the ground must be given to man. Leibniz, by making man the measure of all things, extols human subjectivity. Heidegger then shows that seeking for grounds results in an "infinite regress" and concludes that every beginning, every first principle involves some kind of faith or arbitrary decision which in the end forces us to enter a "dangerous region, a "twilight zone"-the groundless. "This region is known to many thinkers although they rightly say very little about it. Moreover, the demand to give grounds has the effect of robbing us of our rootedness in soil upon which we have always stood, for the more we pursue grounds the more we lose our footing."
(P. 74/ 75 Avens, r. 1984. )
"Only because Nothing is revealed in the very basis of our Da-sein is it possible for the utter strangeness of what-is to dawn on us. Only when the strangeness of what-is forces itself upon us does it awaken and invite our wonder. Only because of wonder, that is to say, the revelation of nothing, does the why? spring to our lips. Only because this why? is possible as such can we seek reasons and proofs in a definite way. Only because we can ask and prove are we fated to become enquirers in this life."
(P. 379. M.Heidegger:1949)
The essential difference between the Shamanic experience and the world view of
scientific consciousness is stressed in the reduction of Shamanic terminology and values
to mere denotations of fantasy. The words that we use to describe the Shamanic experience
have in effect lost their ability to convey any of the alien quality and resonance of
Shamanism. This is not a reflection of Shamanism, but rather of the inability of
logocentric terminology to understand the Shamanic view.
" Our scientific methods remain dissociated from actual life, whereas the Shaman seizes life by its roots and experiences blazing reality. Words like "sacred" or "magical" ultimately can tell us nothing about other realms of consciousness. They are empty and without substance-mere shadows of a dimension closed to us. Religion is experience, a transformation of waking consciousness which can never be conveyed by words. The map is not the terrain. A painting is not real life, and our obsessively literate culture all too often forgets that rationality and language do not reflect life as it is lived."
(p.243. Kalweit, H.,:1988)
The area of language is central to this the discussion of Shamanic death. The question of language is complex and both Zen
master Dogen and Heidegger see language as a non-humanistic phenomenon which can in fact
speak to man if man listens and " hearkens" to that which is being
"spoken". But the idea of a altered state of consciousness suggests the need for
a new language, a mode of expression which will not be for communicative purposes but will
act as a means of expressing and allowing the new form of consciousness to take shape
Again Kalweit expresses the possibility for a " new language, "
" Our linguistic repertoire is geared to a one-sided interpretation of Time, Space, and Causality and thus contains no terms to describe the paradox and acausal nature of the inner world. Even the findings of modern physics can barely be expressed in words because of the mechanistic/materialistic structure of our language. We may therefore ask with some justification whether we do not need a supplementary vocabulary that allows fresh associations and makes it possible to formulate and describe paradoxical thoughts and feelings. What we really need is a multivalent logic, multidimensional figures of speech, and ambiguous concepts capable of giving us a better idea of ambivalences. However, in attempting to realise such an undertaking we would be like creatures of a two-dimensional world dreaming of a three- dimensional universe."
(Ibid. p 244 .)
The understanding of the meaning of death and its construction in both western, eastern
and Shamanic domains is closely tied to the fundamental question and ontology of language.
Heidegger sees language not as the familiar enterprise conveyed and manufactured by man,
but rather as something that man becomes aware of through its shaping force; a force which
shapes man and not the other way around. Therefore, for Heidegger the most common feature
of ordinary consciousness, language, is in fact alien to the mode of thought that would
appropriate all to the will and desire of the human:
" Man's silence is the basis of his speech. This silence is not elicited from him as co-player from within himself, as Being and Time would have it. Rather, it is elicited by the call of Being, by the soundless Saying of the Event of appropriation. In and through his thoughtful response to this Saying, man finds that this Saying itself springs forth from that which must remain unsaid. In the face of the unsaid, man must cease to speak. He must remain silent. Though he has not said it in so many words, Heidegger has now made it clear that not only man's speech but also his performances of silence are needed to allow to appear that which Being grants to him."
(P. 132. Dauenhauer, B.P. 1980.)
In the Heideggerian mode of thought the link between language, imagination and the
alien is made. The function of language is to allow the alien to appear in the midst of
the ordinary. Therefore, for Heidegger the poet is the " messenger" of the
alien:
".......poetic images are imaginings in an extraordinary sense: not mere fancies and illusions but "imaginings" that are visible inclusions of the alien in the sight of the familiar. The poetic saying of images gathers the brightness and sound of the heavenly appearances into one with the darkness and silence of what is alien."
(from Heidegger- poetry language and thought/ p 226 in Avens. 1984. P.57)
An initial example of the difference that is encountered in the Shamanic experience of
death is the lack of definiteness. This is usually seen as an ambiguity, a move away from
the need for resolution in definite understanding. The complex of ambiguity can be related
to the need of the ego for certainty and validation of its own parameters. The following
is a ethnographers report on the clarity of Shamanic interpretation.An initial example of
the difference that is encountered in the Shamanic experience of death is the lack of
definiteness. This is usually seen as an ambiguity, a move away from the need for
resolution in definite understanding. The complex of ambiguity can be related to the need
of the ego for certainty and validation of its own parameters. The following is a
ethnographers report on the clarity of Shamanic interpretation.
" I would like to note an absence of definiteness in my interpretation of data obtained from Tokiko and tadoa. Tokiko once told me. " I cannot use the word definite to characterise things concerned with the gods. I must qualify my statements with such words as perhaps I think, or give my interpretation at this moment."
(P 18. Takaguchi, N. 1984)
The centrality of the concept of alienness to this discussion on death follows the same
trajectory as the idea of the tradition in Guénon. The idea of the tradition, which
Guénon says modern society has lost, is not something that is humanistic in essence. This
follows a central thematic within Heidegger which sees the dehumanisation of the mode of
thought as the only possible development for thinking.
The following quote from René Gúenon on tradition expresses his attack on humancentric
modernism and can easily be aligned with the tone and meaning of Heidegger's Letter
on Humanism. It is enlightening to follow the thought that when Heidegger speaks
of the "forgetting of Being" he is in fact alluding to the same thing that
Guénon refers to as the loss of the tradition.
"besides, the fact that somebody calls himself a traditionalist does not necessarily imply that he knows even vaguely what tradition signifies in the true sense of the word. As far as we are concerned, we refuse to apply this term under any circumstances to anything belonging to the purely human order; it is as well to make this point clear in view of the frequency with which such expressions as "traditional philosophy ", for example, are to be met with. A philosophy, even though it be everything that a philosophy can be, has no right to this description, both because it is entirely confined to the rational order even in cases where it does not actually negate what lies beyond it, and also because it is simply a structure raised by human individuals, devoid of revelation or inspiration of any sort-which amounts to saying, in other words, that it is something essentially "profane ".
(Pg. 24. Rene Guenon, 1962)
" For the very word 'humanism' implies a pretension to bring everything down to purely human elements and.... to exclude everything of a supra-individual order."
(Ibid., Pg. 232.)
There is also a further dimension to the understanding of Shamanism as the entrance
into the alien. It is essential that Shamanism should not be understood only in terms of
the Western metaphysical malaise. The understanding of Shamanism also implies an
understanding of alienness as an essential component of Shamanism. In the Tamang culture
of Nepal, the Shaman is the specialist, not in the creation of the narrative certainties
of myth or legend, but rather of the liminal, uncertain and ambiguous. It is his function
to "hold open the face of the divine" and this face is always at the edge of
form. This role, within the Tamang culture , is balanced against the function of the Lambu
or priest, whose role is to humanise the divine and malevolent, while the Shaman acts in
counterpoint to this. Guénon and others have mentioned this necessary balance between the
Shaman and the Priest in traditional cultures, and this is evidenced by the role of the
Tamang Shaman as a specialist in the transmission of the alien.
"It is sight of the divine that the bombos rescue in their mediation. Their bodies are the meeting place of the human and an enigmatic divine and a terrific malevolence; they travel between heavens and earth; they reveal, unveil, and open up cosmic uncertainties and dwell in them. The shamanic sounds in counterpoint to buddhist and sacrificial ritual which blind humanity to divine and malevolent uncertainty...."
(P. 54. Holmberg:1983.)
" According to the emerging paradigm, "matter" and "consciousness" no longer seem to be essentially different. This opens a new avenue for understanding consciousness. One of the most challenging dimensions of this deeper understanding is the question of whether altered states of consciousness offer us a valid, perhaps more comprehensive, picture of reality. Different levels of consciousness disclose different levels of reality. To limit knowledge only to the products of the rational mind-which is the rationalistic-scientific paradigm that emerged in the seventeenth century and has since dominated Western culture-is nothing else than a form of reductionism, though an extremely successful one from the point of view of technology."
(Corless and Knitter:1990)
At the end of all the discussion, and the pinpricks of light that are made to shine
through the heavy veil of our world, there merges a new desire, a need for a new
consciousness in the real sense of newness, and not in imitation of anything that has gone
before. This refers to thought textures , mood structures and praxis which enable us to
see the image of death as an trance and not as an exit.. There is no self-pity or
morbidity in this search but rather a freshness that a true understanding of the facticity of death can bring.
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Gary Smith. 1999.